Punch And Judy (opera)
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''Punch and Judy'' is a
chamber opera Chamber opera is a designation for operas written to be performed with a chamber ensemble rather than a full orchestra. Early 20th-century operas of this type include Paul Hindemith's ''Cardillac'' (1926). Earlier small-scale operas such as Pergoles ...
with music by
Harrison Birtwistle Sir Harrison Birtwistle (15 July 1934 – 18 April 2022) was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include ''Th ...
and a
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
by Stephen Pruslin, based on the puppet figures of the same names. Birtwistle wrote the score from 1966 to 1967. The opera was first performed at the
Aldeburgh Festival The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the Aldeburgh area of Suffolk, centred on Snape Maltings Concert Hall. History of the Aldeburgh Festival Th ...
, which had commissioned the work, on 8 June 1968, with
David Atherton David Atherton (born 3 January 1944) is an English conductor and founder of the London Sinfonietta. Background Atherton was born in Blackpool, Lancashire into a musical family. He was educated at Blackpool Grammar School. His father, Robert ...
conducting the English Opera Group. The premiere cast included John Cameron as Mr Punch. The work caused great controversy with members of the audience, because of the violence of the plot and the nature of the music.
Benjamin Britten Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other ...
was reported to have left the premiere at the interval. The first US performance was in Minneapolis, and the first New York performance took place in 1988. The first performance in Austria was in 1991, by Wien Modern, with Birtwistle supervising the production. Birtwistle directed a revival of the opera at Aldeburgh in June 1991. With reference to the ballet of
Igor Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the ...
, Paul Griffiths has characterized Mr Punch as "the exact contrary of ''
Petrushka Petrushka ( rus, Петру́шка, p=pʲɪtˈruʂkə, a=Ru-петрушка.ogg) is a stock character of Russian folk puppetry. Italian puppeteers introduced it in the first third of the 19th century. While most core characters came from Italy ...
'': a human being behaving as a puppet". Griffiths, Paul, Review of recording of ''Punch and Judy'' (1981). ''
The Musical Times ''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainze ...
'', 122 (1657): p. 182.
David Wright has summarized how Birtwistle and Pruslin attempted to treat the characters and music in an archetypal manner to write what they have described as a "source opera". Jonathan Cross has published a detailed analysis of the opera.


Roles

* Mr Punch – high
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
* Judy, ''wife to Punch'' –
mezzo-soprano A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C ...
* Punch and Judy's baby – (non-singing) * Pretty Polly – high
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
* Choregos, ''friend to Punch'' – low baritone * The Lawyer – high
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
* The Doctor – bass * Fortune-Teller (sung by the same singer as Judy) * Witch (sung by the same singer as Pretty Polly) * Jack Ketch (sung by the same singer as Choregos) * 5 dancers/mimes – 2 women, 3 men


Scoring

The orchestra consists of: *On-stage –
flute The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless ...
(doubling
alto flute The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the ...
,
piccolo The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the so ...
),
oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...
(doubling
cor anglais The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto ...
),
clarinet The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches ...
in B (doubling
bass clarinet The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave bel ...
, clarinet in E, optional
soprano saxophone The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sop ...
),
horn Horn most often refers to: *Horn (acoustic), a conical or bell shaped aperture used to guide sound ** Horn (instrument), collective name for tube-shaped wind musical instruments *Horn (anatomy), a pointed, bony projection on the head of various ...
and
bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...
(doubling
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The reed is consi ...
). *In the pit – 2
violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
s,
viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...
,
cello The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...
,
trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...
,
trombone The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column ...
,
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orche ...
,
percussion A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Exc ...
(2 players). The string players are also required to play
claves Claves (; ) are a percussion instrument consisting of a pair of short, wooden sticks about 20–25 centimeters (8–10 inches) long and about 2.5 centimeters (1 inch) in diameter. Although traditionally made of wood (typically rosewood, ebony o ...
,
bell A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an inter ...
s,
ratchet Ratchet may refer to: Devices * Ratchet (device), a mechanical device that allows movement in only one direction * Ratchet, metonomic name for a socket wrench incorporating a ratcheting device * Ratchet (instrument), a music instrument and a ...
and wood block.


Synopsis

Punch is rocking his baby, then throws it into the fire. He stabs Judy to death when she finds the charred baby. Punch is now free to seek Pretty Polly, and he leaves on his horse. He finds her and offers her a flower, which she refuses, saying it was tarnished by his murder of his baby. The Doctor and Lawyer revive Punch, but they too are murdered (with a gigantic hypodermic needle and quill, respectively), and join Judy at the chorus gibbet. Punch again woos Pretty Polly, giving her a prism. Again she rejects him. Punch murders the Choregos, a narrator figure, by sawing him in half (within a bass viol case). This is a turning point in Punch's life, and the cyclical nature of the work changes. Punch is haunted by nightmarish images of his cruelty and a satanic wedding with Judy. Punch goes to the gallows for his crimes, but cheats the hangman into hanging himself. Pretty Polly reappears and the two sing a love duet around the gallows, now transformed into a maypole.


Recording

*
Decca Decca may refer to: Music * Decca Records or Decca Music Group, a record label * Decca Gold, a classical music record label owned by Universal Music Group * Decca Broadway, a musical theater record label * Decca Studios, a recording facility in W ...
HEAD 24/25 (LP issue): Stephen Roberts,
Phyllis Bryn-Julson Phyllis Mae Bryn-Julson (born February 5, 1945) is an American operatic soprano and pedagogue. A native of Bowdon, North Dakota, Bryn-Julson is one of five children born to Norwegian parents. She initially studied to be a pianist at Concordia C ...
,
Jan DeGaetani Jan (Janice) DeGaetani (July 10, 1933 – September 15, 1989) was an American mezzo-soprano known for her performances of contemporary classical vocal compositions. DeGaetani was born in Massillon, Ohio. Educated at The Juilliard School with ...
,
Philip Langridge Philip Gordon Langridge (16 December 1939 – 5 March 2010)Millington (7 March 2010) was an English tenor, considered to be among the foremost exponents of English opera and oratorio. Early life Langridge was born in Hawkhurst, Kent, educ ...
,
David Wilson-Johnson David Wilson-Johnson (born 16 November 1950, in Northampton) is a British operatic and concert baritone. Career David Wilson-Johnson was educated at Wellingborough School, and studied Modern and Mediaeval Languages at St Catharine's College, Cam ...
, John Tomlinson;
London Sinfonietta The London Sinfonietta is an English contemporary chamber orchestra founded in 1968 and based in London. The ensemble has headquarters at Kings Place and is Resident Orchestra at the Southbank Centre. Since its inaugural concert in 1968—givi ...
;
David Atherton David Atherton (born 3 January 1944) is an English conductor and founder of the London Sinfonietta. Background Atherton was born in Blackpool, Lancashire into a musical family. He was educated at Blackpool Grammar School. His father, Robert ...
, conductorMurray, David, Review of ''Punch and Judy'' (1990). ''
Tempo In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often ...
'' (New Ser.), 175: p. 53.


References

Notes Sources * Holden, Amanda (Ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam, 2001. {{DEFAULTSORT:Punch And Judy (Opera) Operas by Harrison Birtwistle 1968 operas Operas based on fairy tales Opera controversies